Nearfest 2006

[Rick and Roll]

KBB was just tehnically, musically, and sonically perfect. Amazing musicians, I was especially taken by the drumming of Shirou Sugano. (I think he was wearing a Scout uniform!). All weekend, I was incredibly pleased with the drumming. That was my highlight of Nearfest.

They could play melodies and jam in a moment's notice. Brilliant interludes between sections,

Akiihisa Tsuboy's violin playing defies description. He can do anything. The bassist was just introduced as "Dani"...As with Kenso last year, it's always engaging to see the Japanese artist thank the crowd in English..the effort and passion is very heartfelt.

Riverside was awesome, just awesome. Piotr Grudzinski's guitar was rapturopus (is that a word? it is now). Later I asked him if he knew our man Wojtek. if he did, he was too drunk to know. They had the room next to mine and certainly enjoyed themselves.

Again, powerhouse drumming. the highlight was Mariusz Duda's vocals. The only issue was his ending vocal passages with "auugghhrighhht". A bit much after the fourth time. But that man can sing.

Got to hear a bit of the soundcheck through the doors (it was the title cut of SLS). That song, all 15 minutes of it was perfect. Great show!

Regrettably I missed Richard Leo Johnson. He started too close to Riverside, and I needed a break. By the time i got around to going back it was too late. Hope someone can fill us in.

FM was great. I'm still numb - although I saw them many times over the weekend I still can't believe that they played! Me and my college friends were apeshit over FM. It was such forward music. I like them so much I forgive them for those two god-awful releases, "Tonight" and "Contest".

Started out with a new song, a fun jam. Then Phasors on Stun, the great Black Noise song. Wow. More Black Noise songs...One O'Clock Tomorrow, Journey, Slaughter In Robot Village (outstanding!) and Aldeberan. The title cut came later in the set. Glad thay hit that record hard. Off of Surveillance they played Shapes of Things (the yardbirds song), and Sofa Back (has the great line "Moe Larry Cheese" in it). I was hoping for some of the better cuts like Random Harvest and Destruction but I never get disappointed anymore about set selection. It's counterproductive.

And of course, one of my top 10 favorite songs ever Seventh Heaven. If wasn't such a goof (joking with Cameron Hawkins, see other post), I would have told him how much i like that song. It hits me perfect...I told my friend after the song..."kill me now, I'm satisfied"...he had thoughts....

They only played one City of fear cut, but it was the closer...Surface To Air - what a happy great song. That was a perfect sendoff. Sure made up for that dreadful newer song they did in the middle of the set. It was like 8-9 minutes too!

The only other beef was that Claudio Vena, while competent, didn't sing. Hawkins had to do too much himself and songs suffered from it, especially One O'Clock. Vena's violin work was superb, and the electric mandolin was somewhat choppy but pleasing. But I quibble.

Although slower obviosly with age, Martin Deller (along with Barriemore Barlow) is my favorite technician on the drum kit.

Finally, it pains me to say this, because a) they're one of my favorite bands and live acts and b) Day One was shaping up to be the best day ever, but Ozric Tentacles was disappointing.

A bit of history...Ever since Joie Hinton left in the early 90's they've had a succession of keyboardists who just dabble and make goofy noises. Seaweed, Harry Waters, to name a few. they bring nothing to the table. It's the creativity and electricity of Ed's guitar, the fun of John, and the propulsive bass/drums that make Ozrics the best live acts.

None of that was present, save for the fiery rhythm section. And that's what I tried to focus on for the show. It's always good. But damnit, Brandi Wynne making silly noises and giggling was annoying! She did do a good job on Sunscape, and powerful cuts like Jurassic Shift and Snakepit cover her. But without John to distract you, she's just an eyesore.

The fact that they are great at small clubs is another drawback. Some bands thrive in that atmosphere, like Tunnels...and conversely do not translate well to large indoor venues.

Please believe me when I say my that with the proper line-up they are unparalled live. My worst fears were confirmed about Nearfest. On the last release "Spirals In Hyperspace" they went for a jazzier sound. I think that would have worked better here. But Ed just wanted to jam out, and he is an outstanding musician and too good for that. Also please remember that they are on tour, and played the night before in Baltimore at a smaller hall. they're just not built anymore for Nearfest. A damn shame. Also, they played most everything too loud and monochromatic.

I did sit through the show...and for me Ozrics seen is better than not. To sum it up, someone yelled "Play Kick Muck"...Ed said "We just played it!". That says it all....

[Rick and Roll]

Guapo is not my cup of tea. But I enjoyed them when I did not look at them. Their music is so noisy and unchanging that by closing your eyes, you can pick out intricacies better. I again concentrated on the drummer, who was excellent. never seen anyone play a gong more different ways.

The guitarist had not played with them before, and was told just to "make noise" (I got this infor from Luis Nasser of Sonus Umbra). It showed. I found him incrdible annoying, especially the 5-minute note he held that destroyed my equilibrium for an hour.

All that said, they were well received. I can't knock that.

Another weird thing was two of them walking around the crowd playing a paino-type woodwind and the drummer also walking around bankin a symbol behind people's heads for 10 minutes. I wonder how they sit around and think of this stuff.

I like what the keyboardist said...he took a picture of the crowd about 1/2 way through and said "Now I can have a full picture before everyone leaves"

Michael manring was excellent. He was more mellow that I'd seen him (with MMS) and very appreciative. Pulled off a solo bass performance very well. had some sweet mellow songs, and on the heavier stuff was his usual killer self.

Ange, I never got into their records. But live they were great! The music, first and foremost, was superb. Their second song had an acoustic start and went into a jam straight out of the 70's. Some macigally written pieces, and when they wanted to, they could really rock out. Hassan Hajdi was amazing on guitar. And again...broken record here..the bass and drums were outstanding. Highlight was the showmanship of singer, keys, and acoustic guitarist Christian Decamps. He's a stocky man...along with Caroline Crozat's vocals, belly dancing, and sleazy demeanor, picture a French version of Meatloaf, and you get the idea here. Once you looked past the amusing antics (the dominatrix dog bone scene was hilarious, and the reference to her crotch as "hell" was addling), the musicianship was first class.

Finally, the vocal at the end by main keyboardist Tristan Decamps was amazing and operatic, and unexpected...he'd not sung lead to that point. He was excellent.

I expected great things from Niacin. They surpassed them! I'd seen Billy Sheehan with Mr. Big way back when and last year with Vai and McAlpine. That was an orgy of over the top playing. I was excited to see him with a band that could keep him in check, while enabling him to go nuts. He sat down the whole show! I've seen Berlin, Hamm, etc and nobody touches the things he does on a bass. Words don't describe him adequately.

John Novello is amazing. he has some electric piano moments, but mostly B3. With the other two, you don't focus on him, but he does some frightengly amazing things. He's fast and tight.

Dennis Chambers hits the drums with such force, yet is always on time. Never misses, never. His kit was moving so much it reminded me of Pangea!

That band never had to look at each other, just to say "1234"....tight!

Keith Emerson also exceeded expectations..he gets his own post!

[Rick and Roll]

I didn't come into this show with any preconceptions, althogh he's been touring. I was blown away by his casual stories, his still sharp technical ability, the band, and especially the arrangements. I love it when songs are played differently, it keeps them fresh.

The band was top-shelf. Drummer Pete Riley and Bassist Phil Williams were solidly spectacular spectacular (sorry couln't help it). Marc Bonilla is a great musician. He sings, plays guitar, and arranges songs incredibly well. He was cited by Emerson as the catalyst for digging out some old gems, and arranging them so that Emerson could want to play them again.

Karn Evil 9 # 1 Part Two was just ok...Last time I could say that, the remaining show was killer.

From The Beginning, with acoustic piano and guitar only was amazing! Lucky Man was done such that it was bombastic yet fresh. A Nice song, Dylan's "Country Pie", was homespun yet proggy. Living Sin was dug out from the vaults...what a great heavy song. Bitches Crystal was another surprise..one of my favorite piano leads, and he didn't disappoint. Opened with Piano Concerto from Works. Touch and Go was excellent. Did a number that I thought was Romeo and Juliet from Black Moon but I think I'm wrong there.

Did a Marc Bonilla solo number that has just killer guitar work. Bonilla told a funny story of when Emerson saw Bonilla in a club, watched him play and approached him to collaborate on his song he was playing. So Bonilla got a big laugh when he said "I took him under my wing"...

Emerson told a story about meeting heroes, but was disappointed with Jimmy Smith. An odd story of how he grabbed Emerson's balls.....his repartee between songs was funny.

Also played America, Fanfare, Hoedown...no Pirates but hey...Nutrocker closed the set.

And lastly, all of Tarkus. Done brilliantly by the whole band. It was awesome! The lead guitar in Battlefield...damn. Tarkus is a great piece of music. Having a separate guitar and bass really added to the music.

Rob LaDuca (original Nearfest organizer) was telling us this morning about how Emerson was humbled by getting carpal tunnel - and how he's greatful to still be playing at his age.

He was so good. And how do you play standing on the other side of the keyboard? (He did that on a part of one song).

OK, I think that covers it!

[progdirjim(Admin)]

Originally Posted by Rick and Roll

Karn Evil 9 # 1 Part Two was just ok

My brother and I ALMOST walked out after Karn Evil 9. Bonilla's voice wasn't quite warmed up, he fumbled the outro on one of the leads, and there was a timing glitch from the drummer at one point. Subtle mistakes, but I've seen ELP a bunch of times. Iwas quite dissappointed. Fortunately, as Rick says, they got much better quickly. I too was pleased with the song selection (some gems I've never seen live) and new arrangements.

Did a Marc Bonilla solo number that has just killer guitar work. Bonilla told a funny story of when Emerson saw Bonilla in a club, watched him play and approached him to collaborate on his song he was playing. So Bonilla got a big laugh when he said "I took him under my wing"...

I liked the line, after Emerson said "I'd like to play on it" when Bonilla said "So what have you done - is this your first gig?"

Emerson his repartee between songs was funny.

This was perhaps the best part of not having Greg Lake - Keith spoke more than I've ever seen him, and while he can be a bit arrogant, he's mostly pretty engaging. Also, Bonilla is a better guitarist than Lake. The vocals weren't bad, but Greg has the edge there.

He was so good. And how do you play standing on the other side of the keyboard? (He did that on a part of one song).

Too bad you haven't seen the whole routine with the hammond, where he stands it on edge, spins the damn thing, and ends up laying on stage, with the Hammond on TOP of him, and he's playing over the top/back of it. I'll have to see if I can find a video of that somewhere - it made what he did at NF seem like child's play!

[Rick and Roll]

Originally Posted by progdirjim

Too bad you haven't seen the whole routine with the hammond, where he stands it on edge, spins the damn thing, and ends up laying on stage, with the Hammond on TOP of him, and he's playing over the top/back of it. I'll have to see if I can find a video of that somewhere - it made what he did at NF seem like child's play!

I have seen that. But I have to give him a pass this time given his age and prior health issues.

Good point about Lake - he's one of my favorite singers. There were signs held up of "Greg who" which wasn't fair to either one of them. Again, the advantage of guitar and bass came through.

[progdirjim(Admin)]

Originally Posted by Rick and Roll

Guapo is not my cup of tea. <snip>

Another weird thing was two of them walking around the crowd playing a paino-type woodwind and the drummer also walking around bankin a symbol behind people's heads for 10 minutes. I wonder how they sit around and think of this stuff.

I ws one of the people he gonged. Interesting. Guapo was fascinating to see live, very unique. Not my cup of tea either, but I did enjoy them. The first slot at NF plays for about an hour, and that wasn't too long to enjoy.

Michael manring was excellent.

Duh. Another guy where you're looking for the other musicians you think you're hearing. He played a cool "hyperbass" - it has a bunch of levers so he can change tunings on the fly - but allowed for a really rich sound. Good stage presence as well. This year was, by far, the best of the solo spotlights in my opinion.

Ange, I never got into their records. But live they were great!

I'd say about the same as Rick for Ange. Very enjoyable. THe stage antics approached camp at some points, but certainly better than stoicism on stage.

I expected great things from Niacin. They surpassed them!

I saw Niacin a year or so ago in a small club in SD, so knew what they were capable of. I think they were even better at NF - in SD, when I was chatting with Billy afterwards, he told me they were just starting the tour and weren't in the "comfort" zone yet. They were still tight, but at NF it was dialed up a notch. It's pretty incredible when Michael Manring isn't even the best bass player of the DAY, let alone the festival.

[Roger -Dot- Lee(Admin)]

Originally Posted by Rick and Roll

Regrettably I missed Richard Leo Johnson. He started too close to Riverside, and I needed a break. By the time i got around to going back it was too late. Hope someone can fill us in.

If I may take a swing at this...

Mr. Johnson, the solo act from Saturday, was what I had in mind when I ended up my previous post the way I did. It was theorized that he actually had a third hand (with not only the five normal fingers but two additional ones as well) attached somewhere, though it was never proven and any photographic evidence has since been quashed by the US Department of State.

His musical gymnastics were very much on par with the theme of the show, and those who remained for the performance were not disappointed. He proved his virtuosity repeatedly. He tended toward older works (heavily influenced by old blues, ragtime, and the like).

I'll expound in further detail of my personal feelings in my next post. I'm exhausted, however, so y'all will have to wait.

(I know, I can hear the groans of disappointment all the way out here! )

Roger -Dot- Lee, coming to a theater near you!

[progdirjim(Admin)]

Originally Posted by Rick and Roll

KBB was just tehnically, musically, and sonically perfect. Amazing musicians, I was especially taken by the drumming of Shirou Sugano. (I think he was wearing a Scout uniform!). All weekend, I was incredibly pleased with the drumming. That was my highlight of Nearfest.

Yes, he was wearing a scout uniform. Troop 347 to be exact (I had a nice seat and could see pretty well.) I'd second Rick comments that there was a lot of good drumming. KBB's drummer was pretty much a straight jazz drummer, and a good one.

Riverside was awesome,

My observation was that Riverside is schizophrenic. They play two styles - a rich, Floydian soundscape with lots of passion - that side I loved. The other style is a HARD rock, and that I was luke-cold on. I found myself getting agitated when they played that style. I noticed a reverse correlation between the number of notes the bass player played and my enjoyment. Fortunately, they seemed to weigh the set a little heavier to the side I enjoyed. I know Nadina echoed Rick's comments and loved all of it.

Regrettably I missed Richard Leo Johnson.

I did NOT miss him. RLJ is unbelievable. Through a combination of unique tunings and incredible virtuosity, he sounds as if two or more guitar players are playing at all times. He was also entertaining with his stories between songs, which my brother and I decided he was making up on the spot. He mentioned he had a nervous breakdown a few years ago, and in order to write and perform music, he now has to create alter egos to function. It's said there's a fine line between genius and insanity, and I think he straddles it consistently. But an amazing talent.

FM was great. I'm still numb <snip>
Although slower obviosly with age, Martin Deller (along with Barriemore Barlow) is my favorite technician on the drum kit.

Everything he said. FM was phenomenal, and Martin Deller is a GREAT and underrated drummer. I'm not convinced he's slowed. The drums were too low in the mix for most of the set. I still don't get your love for seventh heaven - that's a mid-tier song from them for me. Better than City of Fear stuff, but no comparison to Black Noise stuff. Claudio did sing a few times, but I don't think he's comfortable yet. It'll be interesting to see if they tour again with him if he sings more.

Ozric Tentacles was disappointing.

My brother and I walked out after maybe 3 songs. If I wanted to see someone triggering samples, I'd go to a hip-hop show. At least there'd be attractive women there